The Interior Trends as per IMM  Cologne 2009  is divided into Four Categories:

I would discuss here one category which is very interesting:

Extra Much/ To the Limit/ Juxtaposition / Virus Attacks / Trash Luxe




The search for new, groundbreaking materials, designs and structures drives us. A design is only good if the creator has given his all.




We follow two options simultaneously but still arrive at the same result. Our second life is a parallel universe, which looks damnably like the first one.



Trash Luxe

We are recyclers of industrial waste, infiltrating it with plenty of feeling. The new luxury is out there on the street, all you have to do is collect it.


A blue-grey base is this year’s background colour, along with a broad spectrum of May green, bright orange and yellow. Apricot and cream, a variety of blues ranging from lavender to cyan, copper and gold complement the look.



A uniform look is indiscernible because of the vastly different approaches adopted, which range from the conventional to the experimental, from the technical to the organic. In addition, some designs are down to the material or manufacturing technique used.


New materials and technologies dominate. Technical synthetics, previously unused in the furniture segment, are making inroads. In addition, new perspectives are opening up for familiar materials like aluminium and Plexiglas, due to the use of innovative processing techniques.



Promostyl Style guide forecasts four print trends for the Spring Summer 2009-10.

The first theme Decadance gets influences from Art Nouveau and Art Deco. There is lot of  influence from William Morris Patterns.


The second theme Post-it revolves around Japanese liberty patterns and is minimalistic.


The third theme Wave is inspired by classical country motifs influenced by Japanese motifs.


The last theme Wild is based on vegetation , foliage, rhythmic stripes colored with retro colors.


There were lot of interesting  lectures related to trends in Heimtextil.   PerclersParis, one of the  trend research agency Sari Myohanen presents four trends to her audience.

The first theme was Instant City based on functionality of the product superimposed with sensuality.The next theme was Ambivalence based on sustainabilty and eco luxury. This year we are not talking about just sustainable products but we are adding a new luxury to it. The thrd theme was Envisage based on obvious well being. Its about wellness movement, macrobiotic food, antibacterial fabrics, encapsulated fabrics giving lot of finishes related to freshness and fuctionality with understated ornaments. The last theme was Migrations based on cross- cultural ethnic mix.

There was a  glimpse  of lifestyle products in different contexts – from the eco-kitchen, with its heavy lifestyle influence, to new typographies for table runners. “We are at the moment living in a time of opposing tendencies” says the agency’s senior stylist. One current pushes us in the direction of a sustainable “slowing-down lifestyle” (she calls this trend “urban nature und radical design”). It seeks authenticity and substance and is more about quality than quantity. It finds expression in durable, practical, timeless furniture and home decorations, which “seduce us with their lifestyle implications” and have finally rid themselves of the “purple dungarees” image. On the other hand, there is sense of acceleration and a life lived at break-neck speed, dominated by amusement and fun: high-tech fabrics that are functional rather than sustainable. “A paradox“. And how will the notion of sustainability develop? I ask as a final question. “Natural materials; but elegant. New surfaces and new forms. Bast, terracotta, everything hyper modern, new indigo style, batik patterns”. And I wonder, how come there are these contradictions? If sustainable products, which people enjoy and which are fun because of modern design, take account of the environment and natural resources, and are not manufactured using child labour, then this ought to be a fantastic symbiosis, shouldn’t it?



There once was a woman  who decided her underclothes should be made of milk, her blouse of green wood and her skirt of the Spanish broom whose bright yellow flowers scented the summer evenings. She also desired a jacket that hung to perfection, and finally chose one made of corn.

Now this may sound like spinning an improbable yarn. But teasing out fanciful threads from unexpected fibers has become a thriving industry near the northern Italian city of Brescia. “We cannot compete with China in terms of cost and bulk for basic products,” said Romano Bonadei, co-founder and past president of Filartex, a yarn-spinning company that focuses on high-end yarns. “But we can hold our own when it comes to producing customized yarns for clients whose needs we take care of,” from concept definition to communicating with weavers “we know will do our product justice. We sell a service, not a yarn.”

Today cotton cultivation ranks second only to corn as the world’s most polluting agricultural product.

Filartex has created a solution to the problem in a line of naturally dyed yarns made from hand-picked organic cotton, as has another company in the Brescia area – Maclodio Filati. Testing in both these companies’ well-equipped laboratories has shown that fibers unstressed by chemical substances have 10 to 15 percent greater absorbancy to dyes than conventional cotton. So dyeing requires lower concentrations of the color, and finished textiles are easier on the skin.

Maclodio is breaking new ground. The company has started spinning yarns made from cultivated wood fiber registered as Lenpur, an American trademark for which Maclodio has exclusive distribution worldwide, except in Japan.

The timber, Canadian silver fir, is harvested according to ecological criteria, and the yarn produced by the company’s method is not only extremely smooth, but also wears well in hot or cool climates. It has the coziness of silk, the feel of cashmere and the freshness of linen. The fact that Lenpur absorbs water so readily and then releases the dampness into the air makes it useful as light, silken toweling.

Milkofil, another yarn by Maclodio, uses spinnable fibers obtained from casein, the white, odorless protein from which cheese is made.

Fibers were, in fact, first obtained from milk in 1935, when fascist Italy was bent on pursuing a policy of autarky, a commodity self-reliance aimed at avoiding international trade. Under names like Lanital, Aralac and Merinova, these yarns replaced wool until the postwar period. By the 1950s, however, such substitutes had been happily forgotten as an embarrassing blip on the national fashion conscience.

A few years ago, Beringheli’s team rediscovered the process and began testing it. They found that milk fibers are soft, brilliant, anti-bacterial, absorbent and humectant – in other words, the milk protein contains a natural lubricant that keeps the skin moisturized and smooth, and the absorbing power of the yarns draws dampness away from the body, stabilizing body temperature. Maclodio registered Milkofil as a trademark in 2007, and a major European producer of baby and children’s wear will be using the yarn in its future collections.

Maize is the source of another fiber that can be woven for the production of some impressive fabrics. The American firm Cargill Dow of Minnesota has registered its process and supplies the fibers that Maclodio turns into the yarns used for a silken-draped jersey fabric.

Collaboration with research centers in Italy and Romania has led to the discovery of an environmentally friendly process of enzymatic maceration of the harvested plant that produces some promising fibers. Initial tests suggest that the yarns will be similar to linen and hemp, but 75 percent lighter, with the added boon of absorbing dye better than linen does.

The United Nations’ Food and Agriculture Organization has declared 2009 to be International Natural Fiber Year.


Pantone Selects Color of the Year for 2008:

Pantone, Inc., the global authority on color and provider of professional color standards for the des

ign industries, selected PANTONE 18-3943 Blue Iris, a beautifully balanced blue-purple, as the color of the year for 2008. Combining the stable and calming aspects of blue with the mystical and spiritual qualities of purple, Blue Iris satisfies the need for reassurance in a complex world, while adding a hint of mystery and excitement.

“From a color forecasting perspective, we have chosen PANTONE 18-3943 Blue Iris as the color of the year, as it best represents color direction in 2008 for fashion, cosmetics and home products,” explains Leatrice Eiseman, executive director of the Pantone Color Institute®. “As a reflection of the times, Blue Iris brings together the dependable aspect of blue, underscored by a strong, soul-searching purple cast. Emotionally, it is anchoring and meditative with a touch of magic. Look for it artfully combined with deeper plums, red-browns, yellow-greens, grapes and grays.”

Pantone Selects Color of the Year for 2007:
PANTONE® 19-1557 TCX Chili Pepper Red .

Pantone Chilli red